| Xiang Shengmo’s (1597-1658) Paintings in the Collection of the Art Museum, The Chinese University of Hong Kong | Prof. HO Ka Yi | Putonghua | |
| From Mysticism to Verisimilitude: The Development of Travel Landscape in Early to Mid-Ming Dynasty | Dr. JIANG Fangting | Putonghua | |
| Reproducing the Spirit, Not the Form: Imitated Works in Bei Shan Tang’s Chinese Painting Collection | Dr. CHAN Kwun Nam Phil | Cantonese | |
| Depicting Likeness and Picturing Trueness: Orchid Words amidst Bamboo Laughter in the Bei Shan Tang | Prof. MOK Kar Leung Harold | Cantonese | |
| Caressing Flowers Steeped My Clothes in Fragrance: “Fragrant Shadows at Luofu” in Female Figure Paintings | Dr. CHEN Fong Fong | Cantonese | |
| Art in Yangzhou through the Painted Boats of Yangzhou | Dr. CHUI Lisa L S | Cantonese | |
| Paintings of Deities for Observing Birthdays in the Ming Dynasty | Prof. HO Ka Yi | Putonghua | |
| Natal Belongingness of Guangdong Literati Painters in the Early 19th Century | Dr. CHEUNG Ngai Yee | Cantonese | |
